Ching Ling Foo: America's First Chinese Superstar tells the incredible story of the iconic Chinese magician Ching Ling Foo's obstacle laden rise to unprecedented fame and private railway car riding fortune as a bustling, polyglot, entertainment mad, ever richer, disruptive technology embracing America burst into the Twentieth Century. Ching Ling Foo; reportedly the greatest illusionist ever seen on American soil along with his talented family of musicians and acrobats overcome on stage attacks, deportation attempts, homeland tragedy, and a talented and diabolically clever American copycat to make an indelible impact on American popular culture becoming the highest paid, most popular performers in the United States - twice
Ching Ling Foo's story is a magical one that, with its focus on the interaction of Chinese and Western cultures, geopolitical tensions, international intrigue, nativism, the importance of celebrity and disruptive technological developments seemingly has much resonance for our current era.
Even a partial list of "the Original Chinese Conjurer's accomplishments still dazzle:
- Highest paid and most popular performer in American vaudeville, twice breaking box office records from 1898-1900 and again from 1912-1915,
- Inspired a mania for Chinese magic, a seemingly endless list of copycats, and one real genius: William Robinson, a.k.a. Chung Ling Soo, the doomed rival with whom Foo would become paired for eternity.
- Subject of a historic, precedent-setting deportation trial, closely followed across the U.S.
- Maker, in 1899, of the first sound recordings of Chinese music and singing.
- Instigator of the infamous 1905 London "World Championship of Chinese Magic." This much-hyped "War of the Wizards" would pit Foo against archrival Chung Ling Soo, the stage name of American performer William Robinson-the man who had appropriated both Foo's act and his identity. The contest and its denouement would result in an enduring mystery when, at the last minute, the sphinxlike Foo walked away from his own challenge. (This biography will provide, for the first time, a plausible and research-based solution to this otherwise puzzling outcome.)
- Maker, in 1911, of Wuchang Uprising, considered by many to be China's first documentary. This daring and innovative war documentary, which played to rapt audiences in theaters across China, would play a significant role in rallying opposition to the Qing Dynasty and the founding of the